![]() ![]() ![]() The jaunty color palette of pinks, oranges, lavender, cognac, and blue was inspired by a vintage photograph, supplied by van Lamsweerde and Matadin, of French model Denise Sarrault posed in front of a Sonia Delaunay painting at the old Museum of Modern Art at the Palais de Tokyo in Paris, the tones of her ensemble matching those of the painting.įor the garden portion of the program, van Lamsweerde and Matadin engaged landscape designer and environmental activist Edwina von Gal, founder of the nonprofit organization Perfect Earth Project, as well as landscape designer Tony Piazza, who continues to maintain and develop the garden. Fashion, unsurprisingly, exerted its own influence. Here, everything is calculated to reinforce the connection with nature,” the designer states. “The big difference, of course, is the landscape. Sachs underscores the consistency of the decorative sensibility that animates both the couple’s Manhattan loft and their Hamptons house, evident in the repeated deployment of monumental Isamu Noguchi lanterns, Japanese indigo-dyed fabrics, and a dizzying array of sculptural furnishings. Everywhere one turns, in both the home and the garden that surrounds it, there’s something fascinating to admire, a heady composition to contemplate, a tale to be told. Or the lofty primary bedroom suite on the home’s newly added upper floor, which echoes the layout and proportions of the yoga pavilion at COMO Parrot Cay in Turks and Caicos, one of the couple’s favorite destinations. Or the enfilade of crape myrtles in the seductive walled garden, which nods to the pink accents in architect Gabriel Guévrékian’s Cubist Garden at the Villa Noailles in Hyères, France. Consider the moody bamboo grove that shrouds the entry procession to the property, inspired by the set design for a production of Madama Butterfly staged by the avant-garde Spanish theater group La Fura dels Baus at the Baths of Caracalla in Rome. The home and garden also speak to the deep well of references amassed by the photographers during their peregrinations through the beau monde. On the console (left to right): Jos Devriendt vessel through Demisch Danant, Marcantonio Brandolini D’Adda glass vessel, Gaetano Pesce table lamp, Lou Pignatier bowl, Joy Brown clay sculpture. ![]() The homeowners designed the double sofa with Desciencelab and Sachs Lindores in Spinneybeck suede and C&C Milano linen. The blue console at right and the white painting above were created by Inez’s uncle Eugène van Lamsweerde, and the vintage concrete planters are from Ravestijn Antiques. Signature furnishings by Arne Jacobsen, Olivier Mourgue, Pierre Chapo, Katsuhei Toyoguchi, and others are arranged on a pine floor beneath Isamu Noguchi lanterns. ![]()
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